what do the rough and perfect ashlars symbolise in craft masonry and do writers agree on them
The rough ashlar represents the unformed mind of man in its natural or infant state, uncultivated and in darkness or ignorance, while the perfect ashlar represents the mind refined, educated, and polished by experience and moral instruction 12. In early monitorial instruction, W. Finch describes the rough ashlar as the mind in infancy brought into due form through education and guidance to become a moralised member of society 2. He views the perfect ashlar as representing the mind after a well-spent life of piety and devotion, capable of being tried by the square of God's word and the compasses of conscience 2.
Writers and jurisdictions show broad consensus on this core moral progression from unrefined nature to polished maturity, though they emphasize different nuances. Walter Leslie Wilmshurst extends the symbolism beyond individual character to a Mason's understanding of the Craft itself, treating the "rough-ashlar stage" as a superficial or merely social appreciation of Masonry, which must be developed into a deeper intellectual and spiritual comprehension 1. An article on the Grand Lodge of India's website notes a reading where the rough ashlar signifies man's divine life dominated by his earthly nature, and records the operational distinction that the rough ashlar is assigned to the Entered Apprentice to work upon, whereas the perfect ashlar belongs to the Fellow Craft to test his tools.
Furthermore, an article on the Grand Lodge of India's website and the United Grand Lodge of England's own page both emphasize that while moral instruction polishes the rough ashlar, the underlying stone must inherently be sound, as the Craft seeks to make good men better rather than reform bad material. The United Grand Lodge of England also frames the perfect ashlar as representing the "perfect Mason" standing alongside the core tenets of Brotherly Love, Relief, and Truth.
what does Preston say about them
The rough ashlar is described as a stone taken from the quarry in its rude and natural state, which by the hands of the workman is prepared to be adjusted by the tools of the Fellow Craft, as an article on The Square Magazine's website notes. Symbolically, William Preston used the rough ashlar to remind Masons of their rude and imperfect state by nature.
By contrast, the perfect ashlar represents that state of perfection at which a Mason hopes to arrive by a virtuous education, by his own endeavors, and by the blessing of Deity, as an article on The Square Magazine's website explains.
In Preston's catechism for the First Degree, the rough ashlar is designated for the Entered Apprentice to work, mark, and indent on, while the perfect ashlar is for the experienced craftsman to try and adjust his jewels on, according to an article on The Square Magazine's website.
how do mystical writers like Wilmshurst read them
Wilmshurst interprets the candidate's entry into the Craft as arriving symbolically as a rough ashlar, representing an initial state of darkness, ignorance, and surface-level understanding 1. In his view, the rough ashlar phase reflects a superficial approach to Masonry, in which a member views the lodge primarily as a social gathering, focuses on external ceremonial proficiency, or seeks office and distinction 1. The work of the Mason is to refine both character and understanding so that he ultimately becomes a finished and perfect cube 1. This mystical perspective shifts the focus away from mere ritual memorisation or social benefit toward interior spiritual regeneration 1.
In broader mystical readings, man is symbolically regarded as a rough ashlar whose divine life is covered and ruled by his earthly nature, wherein his true self remains in subjection and dominated by merely earthly existence, as an article on the Grand Lodge of India's website notes. Rather than treating the stone simply as an emblem of elementary moral education, mystical writers view the shaping of the ashlar as the awakening of man's latent spiritual nature out of his uncultivated material condition 1.
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